视频简介
消防员阿健在一次旧楼火灾中救出一个白衣女郎，她其实是一个女鬼，她生前是一个女伶人。阿玲为了报答他，常在他的身边协助他实现他的心愿。他向她追求，她便和他同居。另一女鬼阿花亦爱阿健，但被阿玲赶走。阿花向健的兄长阿源揭露阿玲实为女鬼，阿健知悉后大为吃惊，阿玲只好忍痛离去，隐藏在她主演的录像带中。阿健始终难忘阿玲，常在观看她的录影带时向她倾诉衷情。阿源的朋友盲公陈，怜他痴心，乃作法帮助阿健进入录影带，和阿玲相会，互诉别情，演出戏中戏，最后他俩冲破夙命安排的戏中困境，逃出电视，重新生活在一起。。Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。1978年，红色高棉政权邀请三名法国使者—醉心研究马克斯主义的学者、一心求真的务实记者，和满腔热诚、爱抱打不平的摄影师，到柬埔寨进行国情研习，企图向西方说好赤柬故事。政党高层句句歌颂波尔布特崇高的革命理念，被安排游览的场所处处展示赤柬的丰功伟绩，却依旧难掩人民脸上的恐惧。三位使者在高压政权的监视下寻找真相，以镜头和录音机对抗紧随他们的军人和枪支，却不知危险正逐步逼近。第10届焦点导演潘礼德过去多部作品，包括入围奥斯卡之作《被消失的影像》均反映出他对红色高棉大屠杀的念兹在兹，今次以剧情片重演真实事件，回归康城影展，继续以其独有的方式念记柬埔寨这段血腥沉重的过去。。