视频简介
In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。黑人上帝一直都是一个宗教界争论的话题。我们可以看到很多电影作品中，黑人家庭都会悬挂黑人上帝画像，并且有时还会听到他们的解释，将耶稣的出生地与族裔进行了分析。由于这方面的学术理论本人较为肤浅，现转载一篇论述黑人神学的文章，供大家对这部电影的宗教背景多些认识。 片名中的Color一词，直指上帝有色人种论。影片记录了耶稣死前的48小时，大部分演员都是黑人出演的，最主要的就是耶稣的角色将由演员、导演水平俱佳的Jean Claude LaMarre饰演。圣母的角色则启用了出演过多部优秀黑人电影的Debbi Morgan。 电影中罗马士兵仍有白人扮演，但这句对不是一部挑拨种族矛盾的电影，他与《The Passion of the Christ》一样在思想上终于圣经原著，这不过这次他们要讲的是黑人神学中的圣经。在目前《The Passion of the Chri...。